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Contents |
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Lesson XXV. Chord-lines and Intervals. 66
Materials of Melody—The Arpeggio; its Influence, and an Inference—Illustrations—Two Points—The Wide Leap—Illustrations and Rules—Modifications—An Exception—The Approach.
Exercise 25.
Lesson XXVI. Rhythm {resumed). 70
Its Importance—Various Groupings—The Accent—Diversified Rhythm—Repetitions—Scale-lines—Chord-lines—Importance of Restraint— Illustrations—Unity and Variety.
Exercise 26.
Lesson XXVII. Accompaniment of Melody. 75
Simplicity—Partial Accompaniment—Four-part Accompaniment—Main Points Summarized.
Exercise 27.
Lesson XXVIII. The Period {resumed). 80
Analogy of Language—The Two Phrases Compared—Parallel, Complement, Antithesis.
Exercise 28.
Lesson XXIX. The Tune. 84
Twofold or Threefold Construction—Example of Two-part Construction—Its Analysis—Example of Three-part Construction—Its Examination—Character and Style—Manner of Rendering—A Mental Picture for the Extempore Player —Summary.
Exercise 29. |
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